---
abstract: |-
  In this article we intend to suggest some ecological based principles
  to support the possibility of develop an ecological aesthetics. We consider that
  an ecological aesthetics is founded in concepts as “direct perception”,
  “acquisition of affordances and invariants”, “embodied embedded
  perception” and so on. Here we will purpose that can be possible explain
  especially soundscape music perception in terms of direct perception, working
  with perception of first hand (in a Gibsonian sense). We will present notions
  as embedded sound, detection of sonic affordances and invariants, and at the
  end we purpose an experience with perception/action paradigm to make
  soundscape music as emergence of a self-organized system.
altloc: []
chapter: ~
commentary: ~
commref: ~
confdates: ~
conference: IX SBCM (Brazilian Society of Musical Computation)
confloc: Campinas
contact_email: ~
creators_id: []
creators_name:
  - family: Oliveira
    given: A. L. G.
    honourific: ''
    lineage: ''
  - family: Oliveira
    given: L. F.
    honourific: ''
    lineage: ''
date: 2003
date_type: published
datestamp: 2003-06-02
department: ~
dir: disk0/00/00/29/96
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editors_id: []
editors_name: []
eprint_status: archive
eprintid: 2996
fileinfo: /style/images/fileicons/application_pdf.png;/2996/1/Towardanecoaesthetics.pdf
full_text_status: public
importid: ~
institution: ~
isbn: ~
ispublished: inpress
issn: ~
item_issues_comment: []
item_issues_count: 0
item_issues_description: []
item_issues_id: []
item_issues_reported_by: []
item_issues_resolved_by: []
item_issues_status: []
item_issues_timestamp: []
item_issues_type: []
keywords: 'auditory perception, ecological psychology, soundscape composition'
lastmod: 2011-03-11 08:55:17
latitude: ~
longitude: ~
metadata_visibility: show
note: ~
number: ~
pagerange: ~
pubdom: TRUE
publication: ~
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refereed: FALSE
referencetext: |-
  Gibson, J. J. (1966) The Senses Considered as Perceptual Systems. Houghton Mifflin Company, Boston.
  
  Gibson, J. J. (1979/1986) Ecological Approach to Visual Perception. Lawrence Erlbaum Associates Publishers, Hillsdale.
  
  
  Keller, D. (1999) Touch’n go: Ecological models in composition. [online]. Disponível em: http://www.sfu.ca/sonic-studio/EcoModelsComposition.html. August of 2001.
  
  Menezes, F. (org.) (1996) Música Eletroacústica: Histórias e Estéticas. Edusp, São Paulo.
  
  Michaels, C. F.; Carello, C. (1981) Direct Perception. Prentice-Hall, Inc., Englewood Cliffs.
  
  Oliveira, A. L. (2002) O reconhecimento de padrões sonoros no contexto da ciência cognitiva. Dissertação (Mestrado) – Universidade Estadual Paulista (UNESP), Marília, SP.
  
  Oliveira, A. L. G.; Oliveira, L. F. (2002). Por uma abordagem ecológica do timbre. In: Segundo encontro de la Sociedad Argentina para la Ciencia Cognitiva de la Música (Anais – Cd-rom). Buenos Aires: SACCoM.
  
  Oliveira, A. L. G.; Oliveira, L. F. (2003). The ecological approach to auditory
  perception extended and reviwed: a compositional perspective. [forthcoming]
  
  Windsor, W. L. (1995) A perceptual approach to description and analysis of acusmatic
  music. Tese (Doutorado em Filosofia) - Universidade de Sheffield. [online]. Disponível
  em http://www.shef.ac.uk/uni/academic/I-M/mus/staff/wlw/lwhomepage.html. January
  of 2002.
relation_type: []
relation_uri: []
reportno: ~
rev_number: 12
series: ~
source: ~
status_changed: 2007-09-12 16:47:44
subjects:
  - percep-cog-psy
succeeds: ~
suggestions: ~
sword_depositor: ~
sword_slug: ~
thesistype: ~
title: 'Toward an ecological aesthetics: music as emergence'
type: confpaper
userid: 2115
volume: ~
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