?url_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Adc&rft.title=Paisagem+Sonora%3A+uma+proposta+de+an%C3%A1lise&rft.creator=Toffolo%2C+R.+B.+G.&rft.creator=Oliveira%2C+L.+F.&rft.creator=Zampronha%2C+E.+S.&rft.subject=Perceptual+Cognitive+Psychology&rft.description=This+paper+discuss+the+use+of+environmental+sounds+in+musical%0Acomposition%2C+specially+in+the+so-called+Soundscape+music.+The+use+of+such%0Asounds+in+compositions+created+with+technological+support+after+the+60%E2%80%99s%0Ahave+started+a+controversial+discussion+on+the+musical+syntax+that+such%0Asounds+can+generate.+The+environmental+sounds+also+raised+important%0Adebates+related+to+theories+of+auditory+perception.+Related+to+this+point+we%0Apresent+the+processes+of+listening+based+on+the+ecological+approach+to%0Aauditory+perception%2C+which+comes+from+J.+J.+Gibson%E2%80%99s+theory+of+direct%0Aperception.+This+theory+is+taken+as+base+to+a+new+approach+to+environmental%0Asonic+materials+and+its+insertion+in+the+compositional+processes.+Our+goal+is%0Ato+raise+the+issues+that+had+lead+to+all+those+problems%2C+and+to+briefly+expose%0Athe+theory+of+direct+perception+of+J.J.+Gibson+as+well.+We+conclude+showing+a%0Apossibility+to+use+the+notions+of+the+ecological+approach+to+perception+as%0Aalternative+analytic+tools+for+soundscape+music.%0A&rft.date=2003&rft.type=Conference+Paper&rft.type=NonPeerReviewed&rft.format=application%2Fpdf&rft.identifier=http%3A%2F%2Fcogprints.org%2F3000%2F1%2FTOFFOLO_OLIVEIRA_ZAMPRA2003.pdf&rft.identifier=++Toffolo%2C+R.+B.+G.+and+Oliveira%2C+L.+F.+and+Zampronha%2C+E.+S.++(2003)+Paisagem+Sonora%3A+uma+proposta+de+an%C3%A1lise.++%5BConference+Paper%5D++++(In+Press)++&rft.relation=http%3A%2F%2Fcogprints.org%2F3000%2F