---
abstract: |
  This paper discuss the use of environmental sounds in musical
  composition, specially in the so-called Soundscape music. The use of such
  sounds in compositions created with technological support after the 60’s
  have started a controversial discussion on the musical syntax that such
  sounds can generate. The environmental sounds also raised important
  debates related to theories of auditory perception. Related to this point we
  present the processes of listening based on the ecological approach to
  auditory perception, which comes from J. J. Gibson’s theory of direct
  perception. This theory is taken as base to a new approach to environmental
  sonic materials and its insertion in the compositional processes. Our goal is
  to raise the issues that had lead to all those problems, and to briefly expose
  the theory of direct perception of J.J. Gibson as well. We conclude showing a
  possibility to use the notions of the ecological approach to perception as
  alternative analytic tools for soundscape music.
altloc: []
chapter: ~
commentary: ~
commref: ~
confdates: ~
conference: XIV ANPPOM (Brazilian Association of research and post-graduation in music.
confloc: Porto alegre
contact_email: ~
creators_id: []
creators_name:
  - family: Toffolo
    given: R. B. G.
    honourific: ''
    lineage: ''
  - family: Oliveira
    given: L. F.
    honourific: ''
    lineage: ''
  - family: Zampronha
    given: E. S.
    honourific: ''
    lineage: ''
date: 2003
date_type: published
datestamp: 2003-06-03
department: ~
dir: disk0/00/00/30/00
edit_lock_since: ~
edit_lock_until: ~
edit_lock_user: ~
editors_id: []
editors_name: []
eprint_status: archive
eprintid: 3000
fileinfo: /style/images/fileicons/application_pdf.png;/3000/1/TOFFOLO_OLIVEIRA_ZAMPRA2003.pdf
full_text_status: public
importid: ~
institution: ~
isbn: ~
ispublished: inpress
issn: ~
item_issues_comment: []
item_issues_count: 0
item_issues_description: []
item_issues_id: []
item_issues_reported_by: []
item_issues_resolved_by: []
item_issues_status: []
item_issues_timestamp: []
item_issues_type: []
keywords: Soundscape; Ecologic Perception; Musical Analysis.
lastmod: 2011-03-11 08:55:17
latitude: ~
longitude: ~
metadata_visibility: show
note: ~
number: ~
pagerange: ~
pubdom: TRUE
publication: ~
publisher: ~
refereed: FALSE
referencetext: |-
  EMMERSON, Simon. The Relation of Language to Materials. In: EMMERSON,
  Simon (Ed.) The Language of Electroacoustic Music. New York: Harwood academic
  publishers, 1986. p. 17-39.
  GIBSON, J. J. The Senses Considered as Perceptual Systems. Hillsdate: Houghton
  Mifflin Company, 1966.
  GIBSON, J. J. Ecological Approach to Visual Perception. Hillsdate: Lawrence
  Erlbaum Associates Publishers, 1979/1986.
  KELLER, D. Touch’n go: Ecological models in composition. [online]. Disponível em:
  http://www.sfu.ca/sonic-studio/EcoModelsComposition.html, 1999.
  MICHAELS, C. F. & CARELLO, C. Direct Perception. Englewood Cliffs: Prentice-
  Hall Inc, 1981
  OLIVEIRA, A. L. G. & OLIVEIRA, L. F. Por uma abordagem ecológica do timbre. In:
  SEGUNDO ENCONTRO DE LA SOCIEDAD ARGENTINA PARA LA CIENCIA
  COGNITIVA DE LA MÚSICA Anais (Cd-rom). Buenos Aires: SACCoM, 2002
  OLIVEIRA, A. L. G. & OLIVEIRA, L. F. The ecological approach to auditory
  perception reviwed and extended – a compositional perspective. [no prelo], 2003
  SHAFER, R. Murray. A afinação do Mundo. São Paulo: Editora UNESP, 2001.
  SCHAEFFER, Pierre. Traité des objets musicaux [Nouvelle Édition]. Paris: Éditions
  du Seuil, 1966.
  TOFFOLO, Rael B. G. & ZAMPRONHA, Edson S. A composição e a escuta no
  Traité des objets musicaux de Pierre Schaeffer. Revista de Iniciação científica
  (Fundação Editora da UNESP). São Paulo. V. II. p. 561-569, 2000
  ___________________ A utilização da linguagem musical tradicional no Étude aux
  objets de Pierre Schaeffer. FORUM DO CENTRO DE LINGUAGEM MUSICAL
  ECA-USP. 5., 2002, São Paulo, Anais, 2002, p. 148-154
  TRUAX, Barry. Soundscape, Acoustic Communication and Environmental Sound
  Composition. Contemporary Music Review. V. 15(1). p. 49-65, 1996.
  WINDSOR, W. L. A perceptual approach to description and analysis of acusmatic
  music. Sheffield, 228 f. Tese (Doutorado em Filosofia) - Universidade de Sheffield.
  [online]. Disponível em: http://www.shef.ac.uk/uni/academic/IM/
  mus/staff/wlw/lwhomepage.html, 1995
relation_type: []
relation_uri: []
reportno: ~
rev_number: 12
series: ~
source: ~
status_changed: 2007-09-12 16:47:47
subjects:
  - percep-cog-psy
succeeds: ~
suggestions: ~
sword_depositor: ~
sword_slug: ~
thesistype: ~
title: 'Paisagem Sonora: uma proposta de análise'
type: confpaper
userid: 2115
volume: ~
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