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    <abstract>This paper is a brief phonetic investigation of the nature of onomatopoeia. Onomatopoeia is the imitation of natural noises by speech sounds. To understand this phenomenon, we must realize that there is a problem here which is by no means trivial. There i s an infinite number of noises in nature, but only twenty-something letters in an alphabet that convey in any language a closed system of about fifty (up to a maximum of 100) speech sounds. I have devoted a book length study to the expressiveness of lang u age (What Makes Sound Patterns Expressive? -- The Poetic Mode of Speech Perception), but have only fleetingly touched upon onomatopoeia. In this paper I will recapitulate from that book the issue of acoustic coding, and then will toy around with two spe ci fic cases: why does the cuckoo say &quot;kuku&quot; in some languages, and why the clock prefers to say &quot;tick-tock&quot; rather than, say, tip-top. Only fleetingly I will touch upon the question why the speech sounds [s] and [S] (S represents the initial consonant of sh oe; s the initial consonant of sue) serve generally as onomatopoeia for noise. By way of doing all this, I will discuss a higher-order issue as well: How are effects translated from reality to some semiotic system, or from one semiotic system to ano ther.U.cns</abstract>
    <altloc>
      <item>http://www.trismegistos.com/IconicityInLanguage/Articles/Tsur/default.html</item>
      <item>http://www.tau.ac.il/~tsurxx/Cuckoo_onomatopoeia.html</item>
    </altloc>
    <creators>
      <item>
        <name>
          <family>Tsur</family>
          <given>Reuven</given>
        </name>
      </item>
    </creators>
    <editors>
      <item>
        <name>
          <family>Magnus</family>
          <given>Margaret</given>
        </name>
      </item>
    </editors>
    <ispublished>pub</ispublished>
    <keywords>Cognitive Poetics, Onomatopoeia, expressive sound, semitoic systems, translating from one code to another.</keywords>
    <note>This is a paper in Cognitive Poetics</note>
    <pubdom>FALSE</pubdom>
    <publication>Iconicity in language</publication>
    <refereed>TRUE</refereed>
    <referencetext>Gaver, William W. 1993. “How Do We Hear in the World?: Explorations in Ecological Acoustics”. Ecological Psychology 5: 285-313. 

Jakobson, Roman l968. Child Language, Aphasia, and Phonological Universals (The Hague: Mouton).

Liberman, A. M. 1970. “The Grammars of Speech and Language.” Cognitive Psychology 1: 301–23.

Liberman, A. M., F. S. Cooper, D. P. Shankweiler, and M. Studdert-Kennedy. 1967. “Perception of the Speech Code,” Psychological Review 74: 431–61.

May, Janet, and Bruno H. Repp. 1982. “Periodicity and Auditory Memory.” Status Report on Speech Research SR-69: 145–49. Haskins Laboratories.

Repp, Bruno H.  l984. “Categorical Perception: Issues, Methods, Findings,” in N. J. Lass (ed.), Speech and Language: Advances in Basic Research and Practice, 10:243–335. New York: Academic Press. 

Tsur, Reuven. 1992a. What Makes Sound Patterns Expressive: The Poetic Mode of Speech-Perception Durham N, C.: Duke UP. 
</referencetext>
    <subjects>
      <item>comp-sci-lang</item>
      <item>ling-sem</item>
      <item>psy-ling</item>
      <item>percep-cog-psy</item>
      <item>comp-sci-speech</item>
      <item>ling-phono</item>
    </subjects>
    <title>Onomatopoeia: Cuckoo-Language and Tick-Tocking+◊</title>
    <date_type>published</date_type>
    <date>2001</date>
    <full_text_status>public</full_text_status>
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