@misc{cogprints7591,
          volume = {15},
          number = {9},
           title = {Representation, Rightness, and the Fringe},
          author = {Dr. Bruce B. Mangan},
            year = {2008},
           pages = {75--82},
         journal = {Journal of Consciousness Studies},
        keywords = {Aesthetics, Feeling of Knowing, Fringe, Rightness, Structure of Consciousness, William James
},
             url = {http://cogprints.org/7591/},
        abstract = {So the central question here is phenomenological: What is the nature of the aesthetic zap? For it is this experience, or its promise, which gives art such a deep hold on human life. But the issue of representation, while secondary, is still pregnant with cognitive implications: Why is representation, of all the devices available to an artist, more likely to shift the odds in favour of eliciting and/or intensifying aesthetic experience? Assuming a Darwinian view of our species, it is likely that the answer to both questions will come from understanding how our capacity to enjoy art grows out of normal cognition.}
}

<script src='https://archive-bar.soton.ac.uk/archive-bar.js'></script>
<script src='https://archive-bar.soton.ac.uk/google-analytics.js'></script>