Darrell Gibson, Author at Digital Humanities

sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 3

Darrell Gibson — Sun, 24 Nov 2013 22:25:17 +0000

sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 3 by Darrell Gibson Research Group: Composition and Music Technology Introduction In the previous blog posts three research questions and supporting literature were presented in relationship to how synthesizers are used for sound design. With these in mind the next stage has been to …

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sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 2

Darrell Gibson — Sat, 09 Nov 2013 22:21:59 +0000

sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 2 by Darrell Gibson Research Group: Composition and Music Technology Introduction In the previous blog post three research questions were presented in relationship to how synthesizers are used for sound design: First, is there a way that sound design can be performed without an …

The post sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 2 appeared first on Digital Humanities.

sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 1

Darrell Gibson — Fri, 18 Oct 2013 22:16:26 +0000

sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 1 by Darrell Gibson Introduction The phrase “sound design” first started being used in the film industry in the 1970s [1]. Since this time it has been used in many different contexts and now means different things, to different people so it is worth …

The post sotonDH Small Grants: Investigation into Synthesizer Parameter Mapping and Interaction for Sound Design Purposes – Post 1 appeared first on Digital Humanities.