{"id":28,"date":"2012-03-07T22:58:20","date_gmt":"2012-03-07T22:58:20","guid":{"rendered":"https:\/\/www.dh.soton.ac.uk\/?p=28"},"modified":"2012-03-07T22:58:20","modified_gmt":"2012-03-07T22:58:20","slug":"here-and-there-then-and-now-modelling-space-and-time-in-the-humanities","status":"publish","type":"post","link":"https:\/\/digitalhumanities.soton.ac.uk\/blog\/28","title":{"rendered":"Here and There, Then and Now – Modelling Space and Time in the Humanities"},"content":{"rendered":"

Here are details for the 1st Call for Papers for the\u00a0Second Workshop of the NeDiMAH Space and Time Working Group:\u00a0Here and There, Then and Now – Modelling Space and Time in the Humanities. This is a Satellite Workshop of Digital Humanities 2012, Hamburg, Germany on\u00a0Tuesday 17th July<\/p>\n

Spatio-temporal concepts are so ubiquitous that it is easy for us to forget that they are essential to everything we do. All cultural expressions are related to the dimensions of space and time in the manner of their production and consumption, the nature of their medium and the way in which they express these concepts themselves. This workshop seeks to identify innovative practices among the Digital Humanities community that explore, critique and re-present these spatial and temporal aspects.<\/p>\n

Although space and time are closely related, there are significant differences between them which may be exploited when theorizing and researching the Humanities. Among these are the different natures of their dimensionality (three dimensions vs. one), the seemingly static nature of space but enforced ‘flow’ of time, and the different methods we use to make the communicative leap across spatial and temporal distance. Every medium, whether textual, tactile, illustrative or audible (or some combination of them), exploits space and time differently in order to convey its message. The changes required to express the same concepts in different media (between written and performed music, for example), are often driven by different spatio-temporal requirements. Last of all, the impossibility (and perhaps undesirability) of fully representing a four-dimensional reality (whether real or fictional) mean that authors and artists must decide how to collapse this reality into the spatio-temporal limitations of a chosen medium. The nature of those choices can be as interesting as the expression itself.<\/p>\n

We invite those working with digital tools and techniques that manage, analyse and exploit spatial and temporal concepts in the Humanities to present a position paper at this workshop. Position papers should discuss a generalized theme related to use of spatio-temporal methods in the Digital Humanities with specific reference to one or more concrete applications or examples. Position papers will be separated into multiple panel sessions according to emergent themes. Those not wishing to present a paper are warmly encouraged to attend the workshop and take part in the extended discussion which will follow the presentations. This workshop is part of the ESF-funded NEDIMAH Network and organised by its Working Group on Space and Time (STWG).<\/p>\n

Papers are invited on any topic that furthers these objectives. Topics could be, but are not limited to:<\/p>\n