{"id":897,"date":"2012-04-12T17:32:28","date_gmt":"2012-04-12T17:32:28","guid":{"rendered":"https:\/\/digitalhumanities.soton.ac.uk\/?p=897"},"modified":"2013-01-04T09:10:33","modified_gmt":"2013-01-04T09:10:33","slug":"two-southampton-articles-in-new-arts-humanities-and-complex-networks-ebook","status":"publish","type":"post","link":"https:\/\/digitalhumanities.soton.ac.uk\/blog\/897","title":{"rendered":"Two Southampton articles in new Arts, Humanities, and Complex Networks ebook"},"content":{"rendered":"

\"\"<\/a>Leonardo<\/a> (the International Society for the Arts, Sciences and Technology) and MIT Press<\/a> produced a new ebook<\/a> that confirms the Arts and Humanities finally form a valuable part of the growing group of disciplines often associated with complex network research. The volume includes two contributions by researchers from The University of Southampton: the Google Ancient Places<\/a> project is discussed by Leif Isaksen and colleagues, and the Urban Connectivity in Iron Age and Roman Southern Spain project was introduced by Tom Brughmans, Simon Keay and Graeme Earl. The ebook edited by Maximilian Schich<\/a>, Roger Malina and Isabel Meirelles is a collection of 26 short articles based on presentations at the Arts, Humanities, and Complex Networks Leonardo Days<\/a> at the NetSci conferences<\/a>, the High Throughput Humanities conference, and most were previously published in Leonardo journal<\/a>. The works by specialists in fields as diverse as archaeology, history, music, visualisation and language studies illustrate that the Arts and Humanities can make original contributions to complex network research and provide fascinating new perspectives in a wide range of disciplines. A nice online companion<\/a> was launched together with the ebook.<\/p>\n

You can order the ebook on Amazon<\/a>.<\/p>\n

Here is the full table of contents:<\/p>\n

Preface by Roger Malina
\nIntroduction by Isabel Meirelles and Maximilian Schich<\/p>\n

I Networks in Culture<\/p>\n

Networks of Photos, Landmarks, and People
\nDavid Crandall and Noah Snavely<\/p>\n

GAP: A NeoGeo Approach to Classical Resources
\nLeif Isaksen et al.<\/p>\n

Complex Networks in Archaeology: Urban Connectivity in Iron Age and Roman Southern Spain
\nTom Brughmans, Simon Keay, and Graeme Earl<\/p>\n

II Networks in Art<\/p>\n

Sustaining a Global Community: Art and Religion in the Network of Baroque Hispanic-American Paintings
\nJuan Luis Su\u00e1rez, Fernando Sancho, and Javier de la Rosa<\/p>\n

Artfacts.Net
\nMarek Claassen<\/p>\n

When the Rich Don\u2019t Get Richer: Equalizing Tendencies of Creative Networks
\nJohn Bell and Jon Ippolito<\/p>\n

The Mnemosyne Atlas and The Meaning of Panel 79 in Aby Warburg\u2019s Oeuvre as a Distributed Object
\nSara Angel<\/p>\n

Documenting Artistic Networks: Anna Oppermann\u2019s Ensembles Are Complex Networks!
\nMartin Warnke and Carmen Wedemeyer<\/p>\n

Net-Working with Maciunas
\nAstrit Schmidt-Burkhardt<\/p>\n

Network Science: A New Method for Investigating the Complexity of Musical Experiences in the Brain
\nRobin W. Wilkins et al.<\/p>\n

Networks of Contemporary Popular Musicians
\nJuyong Park<\/p>\n

III Networks in the Humanities<\/p>\n

The Making of Sixty-Nine Days of Close Encounters at the Science Gallery
\nWouter Van den Broeck et al.<\/p>\n

Social, Sexual and Economic Networks of Prostitution
\nPetter Holme<\/p>\n

06.213: Attacks with Knives and Sharp Instruments: Quantitative Coding and the Witness To Atrocity
\nBen Miller<\/p>\n

The Social Network of Dante\u2019s Inferno
\nAmedeo Cappelli et al.<\/p>\n

A World Map of Knowledge in the Making: Wikipedia\u2019s Inter-Language Linkage as a Dependency Explorer of Global Knowledge Accumulation
\nThomas Petzold et al.<\/p>\n

Evolution of Romance Language in Written Communication: Network Analysis of Late Latin and Early Romance Corpora
\nAlexander Mehler et al.<\/p>\n

Need to Categorize: A Comparative Look at the Categories Of Universal Decimal Classification System and Wikipedia
\nAlmila Akdag Salah et al.<\/p>\n

The Development of the Journal Environment of Leonardo
\nAlkim Almila Akdag Salah and Loet Leydesdorff<\/p>\n

IV Art about Networks<\/p>\n

Tell Them Anything but the Truth: They Will Find Their Own. How We Visualized the Map of the Future with Respect to the Audience of Our Story
\nMichele Graffieti et al.<\/p>\n

Model Ideas: From Stem Cell Simulation to Floating Art Work
\nJane Prophet<\/p>\n

Culture, Data and Algorithmic Organization
\nGeorge Legrady<\/p>\n

Cybernetic Bacteria 2.0
\nAnna Dumitriu<\/p>\n

Narcotic of the Narrative
\nWard Shelley<\/p>\n

V Research in Network Visualization<\/p>\n

Building Network Visualization Tools to Facilitate Metacognition Incomplex Analysis
\nBarbara Mirel<\/p>\n

Pursuing the Work of Jacques Bertin
\nNathalie Henry Riche<\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

Leonardo (the International Society for the Arts, Sciences and Technology) and MIT Press produced a new ebook that confirms the Arts and Humanities finally form a valuable part of the growing group of disciplines often associated with complex network research. The volume includes two contributions by researchers from The University of Southampton: the Google Ancient Places project is discussed by …<\/p>\n","protected":false},"author":93015,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6494],"tags":[199345,74682,93836,199946,202689,202894,207834,370,208771,210754,213702,218529,20531,218869,220593,196633,224738],"_links":{"self":[{"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/posts\/897"}],"collection":[{"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/users\/93015"}],"replies":[{"embeddable":true,"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/comments?post=897"}],"version-history":[{"count":2,"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/posts\/897\/revisions"}],"predecessor-version":[{"id":2482,"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/posts\/897\/revisions\/2482"}],"wp:attachment":[{"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/media?parent=897"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/categories?post=897"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/digitalhumanities.soton.ac.uk\/wp-json\/wp\/v2\/tags?post=897"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}