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During last week’s Tweetchat @agi_mv asked about the use of satellite technology in identifying submerged sites and shipwrecks. The discussion that followed ended up on the beaches of south India about 10 years ago, beaches which Julian had identified kattumaram boats on from GoogleEarth images and on which Lucy, Julian and I (along with Dr Colin Palmer, Dr Selvakumar and a handful of other fantastically patient Indian colleagues) spent some weeks recording and researching fishing boats.
@JesseRansley @rjulianw Of course. Where would romantic/adventurous cliches of maritime archaeology otherwise come from? Photo evidence? ;)
— Ági MV (@agi_mv) February 4, 2016
@agi_mv’s comment about the images that project conjured up and some of the romantic clichés of maritime archaeology got me thinking.[1]
We could probably all name a few of the clichés and visual tropes that surround maritime archaeology: the dives on intact shipwrecks in crystal blue seas; divers surfacing, breaking the waves with crucial artefacts in their hands; the technology pinging and effortlessly producing perfect surveys of exactly what is on and in the seabed.[2] Most of the time, however, it is largely about mud, mud and soggy wood if you are lucky, but definitely mud and laptops on desks in messy offices.
In maritime ethnography and ethnoarchaeology, which we’ll be discussing further in Week Four, the photographs we take are documentary. They form a core part of the project archive. They are also often a source of a different set of ‘romantic cliches’ and visual tropes: sandy beaches, rough-hewn boats, palm trees, local fishermen and boatmen, big skies… a timeless idyll or holiday paradise in which any researcher would want to work.
In the last few years, archaeologists have been increasingly interested in their project archives as an object of study in themselves. They’re no longer looked at simply as ‘neutral’ records of a project or site. We’re starting to recognise the people behind the archives – the choices that are made of what to record, what to include, what to disregard – and how those choices shape the apparently ‘neutral’ record. We’re looking for traces of the historical and social context in which they were made.[3]
Some of which might sound like a lot of navel-gazing – but it is very important to maritime ethnoarchaeology in particular. There is a lot to be found behind questions like: who is doing the recording? Who gets to choose what is important and should be photographed? How are these images used? And, who is viewing and commenting on them? And perhaps most importantly, are fishermen being recorded as ‘objects’ alongside their boats?
The assumptions we make as viewers of photographs are of particular importance. What do we see beyond boats on a beach? Do our ideas about ‘traditional fishermen’, Indian lives and culture shape what we see? What historical, social and cultural ideas do we unconsciously draw on to understand the image? Do the fishermen (or the researcher) have any say in how they are represented?
In postcolonial contexts, the power dynamics at play in idyllic images like the one above are striking. Ideas about the tensions between ‘modern’ and ‘ancient’, between urban and rural, about race, postcolonial dynamics and even economic and intellectual power, are swirling around these photos and in the ways in which we use and look at them.
This is a problem that ethnographers and maritime ethnoarchaeologists still grapple with. How can the people (researcher and fisherman alike) within the photographs be more than stereotypes? How can we make sure the people we study are able to represent themselves within our work? How can projects be collaborations, shaped by both the community and researcher?
These are complicated methodological and philosophical problems for researchers, particularly if they are interested in intangible heritage, like boat building and maritime traditions.
There’s an awful lot at stake within some of those ‘romantic’ images of maritime ethnoarchaeology.
So, in readiness for tonight’s Tweetchat (between 8-9pm tonight, #FLShipwrecks), I have a few questions for you:
- What do you think are the biggest clichés of maritime archaeology?
- Have you ever thought of any of them as destructive or dangerous?
- And, what image or photograph best sum-up maritime archaeology for you?
[1] In fact, there is a photo essay and research paper being formulated as we speak as a result – thank you @agi_mv.
[2] I’ve written about some of this from a different angle here.
[3] There was a very good ‘Archives Issue’ of the Archaeological Review from Cambridge in 2014. The introduction to the volume can be found here.
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]]>The post Medieval Seafaring video up for BUFVC award. appeared first on Shipwrecks and Submerged Worlds.
]]>Our MOOC (free online maritime archaeology course) film maker, Joe Brett, has been nominated for the British Universities Film and Video Council Learning on Screen Awards for the Courseware and Curriculum In-House Production section for ‘Medieval Seafaring’.
The short video on ‘Medieval seafaring and shipbuilding‘ presented by Prof Jon Adams and starring some of our recent Masters graduates wielding adzes and axes was shot at Bucklers Hard, Beaulieau last spring.
The post Medieval Seafaring video up for BUFVC award. appeared first on Shipwrecks and Submerged Worlds.
]]>The post Medieval Seafaring video up for BUFVC award. appeared first on Shipwrecks and Submerged Worlds.
]]>Our MOOC (free online maritime archaeology course) film maker, Joe Brett, has been nominated for the British Universities Film and Video Council Learning on Screen Awards for the Courseware and Curriculum In-House Production section for ‘Medieval Seafaring’.
The short video on ‘Medieval seafaring and shipbuilding‘ presented by Prof Jon Adams and starring some of our recent Masters graduates wielding adzes and axes was shot at Bucklers Hard, Beaulieau last spring.
The post Medieval Seafaring video up for BUFVC award. appeared first on Shipwrecks and Submerged Worlds.
]]>The post Medieval Seafaring video up for BUFVC award. appeared first on Shipwrecks and Submerged Worlds.
]]>Our MOOC (free online maritime archaeology course) film maker, Joe Brett, has been nominated for the British Universities Film and Video Council Learning on Screen Awards for the Courseware and Curriculum In-House Production section for ‘Medieval Seafaring’.
The short video on ‘Medieval seafaring and shipbuilding‘ presented by Prof Jon Adams and starring some of our recent Masters graduates wielding adzes and axes was shot at Bucklers Hard, Beaulieau last spring.
The post Medieval Seafaring video up for BUFVC award. appeared first on Shipwrecks and Submerged Worlds.
]]>The post Ships and Shorelines – Maritime Archaeology Conference appeared first on Shipwrecks and Submerged Worlds.
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16-18 October 2015
Avenue Campus, University of Southampton
The Royal Anthropological Institute’s annual conference is open to everyone with an interest in archaeology – and this year the theme is ‘Ships and Shorelines: Maritime Archaeology for the 21st Century’.
Our own Prof Jon Adams will be delivering the keynote address on Friday and the following two days will see presentations from experts discussing topics as diverse as submerged prehistoric archaeology, World War I maritime losses and the Mary Rose.
There are full details of the packed line-up of speakers (including several of the Shipwrecks Team) on the Royal Archaeological Institute’s website here, along with details of how you can book and attend the conference.
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]]>The post The Sea and Me: Public Event 22nd Nov appeared first on Shipwrecks and Submerged Worlds.
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Saturday 22nd November
10am – 5pm
Free
This event will bring together researchers, local cultural institutions, and the wider public for a series of talks, workshops, and hands-on activities around the theme of The Sea. We’ll be considering everything from pirates to shipwrecks to sound and the sea.
As a port city, Southampton has a long history of interaction with the sea and the industries surrounding it. This event will be an opportunity for the public to learn about and engage with innovative research on the sea across space and time.
The event is free and the Avenue Campus café will be open for visitors to purchase light refreshments.
In addition to the core talks, there will be some children’s activities from 12-3pm and an interactive exhibition. There will be a maritime archaeology ‘meet the experts’ drop-in room through the afternoon and several CMA members will be giving ‘core talks’ (including Julian Whitewright discussing ‘Shipwrecks of the Solent’, Fraser Sturt talking on ‘Living with Environmental Change’ and Jesse Ransley ‘Building backwater boats: mud, sewing and other stories’)
SeaCity Museum in Southampton will also be hosting some ‘Sea and Me’ activities as part of the day (entry fee to the museum applies).
There’s more info and the full programme for the day here or you can find out more from The Sea and Me team on twitter @theseaandme2014.
This event is part of the Being Human Festival, led by the School of Advanced Studies and supported by the Arts and Humanities Research Council and the British Academy.
To book your place, please go to: http://www.eventbrite.co.uk/e/the-sea-and-me-tickets-13023647079
The post The Sea and Me: Public Event 22nd Nov appeared first on Shipwrecks and Submerged Worlds.
]]>The post The Sea and Me: Public Event 22nd Nov appeared first on Shipwrecks and Submerged Worlds.
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Saturday 22nd November
10am – 5pm
Free
This event will bring together researchers, local cultural institutions, and the wider public for a series of talks, workshops, and hands-on activities around the theme of The Sea. We’ll be considering everything from pirates to shipwrecks to sound and the sea.
As a port city, Southampton has a long history of interaction with the sea and the industries surrounding it. This event will be an opportunity for the public to learn about and engage with innovative research on the sea across space and time.
The event is free and the Avenue Campus café will be open for visitors to purchase light refreshments.
In addition to the core talks, there will be some children’s activities from 12-3pm and an interactive exhibition. There will be a maritime archaeology ‘meet the experts’ drop-in room through the afternoon and several CMA members will be giving ‘core talks’ (including Julian Whitewright discussing ‘Shipwrecks of the Solent’, Fraser Sturt talking on ‘Living with Environmental Change’ and Jesse Ransley ‘Building backwater boats: mud, sewing and other stories’)
SeaCity Museum in Southampton will also be hosting some ‘Sea and Me’ activities as part of the day (entry fee to the museum applies).
There’s more info and the full programme for the day here or you can find out more from The Sea and Me team on twitter @theseaandme2014.
This event is part of the Being Human Festival, led by the School of Advanced Studies and supported by the Arts and Humanities Research Council and the British Academy.
To book your place, please go to: http://www.eventbrite.co.uk/e/the-sea-and-me-tickets-13023647079
The post The Sea and Me: Public Event 22nd Nov appeared first on Shipwrecks and Submerged Worlds.
]]>The post The Sea and Me: Public Event 22nd Nov appeared first on Shipwrecks and Submerged Worlds.
]]>
Saturday 22nd November
10am – 5pm
Free
This event will bring together researchers, local cultural institutions, and the wider public for a series of talks, workshops, and hands-on activities around the theme of The Sea. We’ll be considering everything from pirates to shipwrecks to sound and the sea.
As a port city, Southampton has a long history of interaction with the sea and the industries surrounding it. This event will be an opportunity for the public to learn about and engage with innovative research on the sea across space and time.
The event is free and the Avenue Campus café will be open for visitors to purchase light refreshments.
In addition to the core talks, there will be some children’s activities from 12-3pm and an interactive exhibition. There will be a maritime archaeology ‘meet the experts’ drop-in room through the afternoon and several CMA members will be giving ‘core talks’ (including Julian Whitewright discussing ‘Shipwrecks of the Solent’, Fraser Sturt talking on ‘Living with Environmental Change’ and Jesse Ransley ‘Building backwater boats: mud, sewing and other stories’)
SeaCity Museum in Southampton will also be hosting some ‘Sea and Me’ activities as part of the day (entry fee to the museum applies).
There’s more info and the full programme for the day here or you can find out more from The Sea and Me team on twitter @theseaandme2014.
This event is part of the Being Human Festival, led by the School of Advanced Studies and supported by the Arts and Humanities Research Council and the British Academy.
To book your place, please go to: http://www.eventbrite.co.uk/e/the-sea-and-me-tickets-13023647079
The post The Sea and Me: Public Event 22nd Nov appeared first on Shipwrecks and Submerged Worlds.
]]>The post Julian Whitewright to be AIA’s 2014 Steffy Lecturer appeared first on Shipwrecks and Submerged Worlds.
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Dr Julian Whitewright will be the Archaeological Institute of America’s Steffy Lecturer for 2014-2015.
Julian will be delivering lectures at the University of Missouri, the University of Toronto and the University of Michigan during late October. He’ll present both his ongoing work into the sailing rigs of the ancient Mediterranean and research on eighteenth and nineteenth century British ships and shipbuilding.
The Steffy Lecturer was established by the AIA in 2008 to commemorate J. Richard Steffy’s life work on wooden shipbuilding and the interpretation of shipwrecks.
You can find more information on J. Richard Steffy and his research here, and there is more information on Julian’s work here.
The post Julian Whitewright to be AIA’s 2014 Steffy Lecturer appeared first on Shipwrecks and Submerged Worlds.
]]>The post Julian Whitewright to be AIA’s 2014 Steffy Lecturer appeared first on Shipwrecks and Submerged Worlds.
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Dr Julian Whitewright will be the Archaeological Institute of America’s Steffy Lecturer for 2014-2015.
Julian will be delivering lectures at the University of Missouri, the University of Toronto and the University of Michigan during late October. He’ll present both his ongoing work into the sailing rigs of the ancient Mediterranean and research on eighteenth and nineteenth century British ships and shipbuilding.
The Steffy Lecturer was established by the AIA in 2008 to commemorate J. Richard Steffy’s life work on wooden shipbuilding and the interpretation of shipwrecks.
You can find more information on J. Richard Steffy and his research here, and there is more information on Julian’s work here.
The post Julian Whitewright to be AIA’s 2014 Steffy Lecturer appeared first on Shipwrecks and Submerged Worlds.
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